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Justin Bieber enjoyed just one week at Number One before his mentor Usher booted him from the Billboard 200’s top spot with his own disc, Raymond V Raymond. While Raymond marks Usher’s third consecutive Number One debut, its sales of 329,000 copies couldn’t match 2004’s Confessions (1 million-plus) and 2008’s Here I Stand (443,000 copies) according to Nielsen SoundScan. Still, Raymond V Raymond was the third-highest selling debut of 2010 behind Lady Antebellum’s Need You Now and Sade’s Soldier of Love, Billboard reports.

Despite falling to Number Two in its second week, Bieber’s My World 2.0 became the first album since the Beatles’ 2000 disc 1 to improve on its Number One debut week numbers the following week — My World 2.0’s sales rose 3 percent to 291,000 copies. Following the NOW 33 comp at Number Three, troublemaker Erykah Badu’s New Amerykah Part Two: Return of the Ahnk debuted at Number Four with 110,000 copies, just slightly off Part One’s 125,000 in 2008. Lady Antebellum’s Need You Now rounded out the Top Five.

One more debut of note: Method Man, Ghostface Killah and Raekwon’s Wu-Massacre team-up entered the charts at Number 12.

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Janet Jackson may have two songs in rotation — “Nothing” and her Pitbull team-up “Heartbeat Love” — but fans anxious to hear her follow-up to 2008’s Discipline have a long wait ahead of them: Jackson tells Rolling Stone she’s not currently working on an album.

Check out photos from Janet Jackson’s Rock Witchu Tour.

“There was a time where I was actually in the studio and I was recording, but I’m not working on an album,” she says. “There have been a lot of record labels that have asked me to sit down and talk with them, but I don’t know if I want to do something completely independent, or go with a major.” Discipline was Jackson’s first disc on Def Jam after she left her longtime label Virgin.

So what about the new songs? “Nothing” is a one-off she co-wrote and co-produced with Jermaine Dupri for the new Tyler Perry film Why Did I Get Married Too?, and the lyrics reflect the tensions and turmoil between characters, like Angela’s trust issues with Marcus (”You can even have the password to my phone”), as well as her own character Patricia’s guilt and regret over Gavin (”We should cherish every moment like it’s the last”). As for the second song, Jackson said she did it as a favor for Rodney Jerkins, for “fun.”

When Jackson does return to the studio, she’s not sure whether she’ll work toward a classic pop album (as “Nothing” might indicate) or do something more dance club-oriented (like “Heartbeat Love”): “I haven’t decided on exactly where I want to go or what I want to do.”

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